EDF, Tourism Australia Global, P+O Cruises, Ford, Act on Co2, Dove, Hilton Hotel Global. Working at AMV is something I always wanted to do in my career. 0.52sCreativepool uses cookies. It’s still the early days, but so far this year has seen Fold7 get their first Gold at Cannes, their first Clio, and a Gold at the Campaign Big awards.I served as a Board Director/Creative Director from 2008 to 2013. This preparation, helped a whole lot.Most of the campaign materials were shot on location at this summer’s historic South African tour. During those 7 years, TBWA had a department full of ad legends such as Ben Priest, All Moseley, Ed Morris, Paul Silburn, Matt Gooden, and Ben Walker. It just proved how powerful the ad actually was and how serious the situation of educating the UK really is.Most of the campaign materials were shot on location at this summer’s historic South African tour.
And this made her an even more passionate and empathetic leader. This theme of interdependency will be a cornerstone of #TeamOfUs – now, and in the years to come.Galaxy had a problem, Cadburys were out selling them, as Galaxy was seen as an out of date brand and currently running an ad that was way past it’s sell by date.The decision was made to revive the old endline that people still remembered and had love for... “Why have cotton when you can have silk” this not only had a superior tone to it but also a timeless quality, this assisted in leading the creative.A rather ambitious idea was hatched, which was to bring back to life Hollywood’s greatest starlets with the help of Danny Kleinman and Framestore with new cutting edge techniques and as yet untested.The idea was to produce a timeless ad, which would appeal to young and old alike and become a modern day classic.After a year of research and after contacting Audrey Hepburn's sons, finally we got the green light and production began.The launch of the Chauffeur spot couldn't have gone any better, sales jumped and the buzz online was incredible, it simply went beyond all expectations. I moved to Barcelona in May 2018. Class of 2008. Ben and Jonny TBWA. Verantwortlich für die Kreation sind Ben Brazier und Johnny Ruthven, Regie führte Michael Clowater von der Londoner Produktionsfirma Smuggler. See the complete profile on LinkedIn and discover Gary’s connections and jobs at similar companies. Whilst working with the planners on the brief it became evident that the best strategy to get people to listen was to make them think about their children’s future.Armed with this powerful angle the campaign was born.
I'm a CD that writes and art directs, I like to lead by example.I’m channel agnostic and a believer of the big idea.I’ve fully embraced digital by doing a HyperIsland course. Ben Brazier & Johnny Ruthven, Senior Creative Team at TBWA\London – A masterclass in finding an innovative way to peddle the same old message. The campaign celebrates the interdependency behind the Irish rugby team – from the players and coaches, via IRFU and its partners, to the diverse fan base across the island of Ireland. It also picked up a graphite pencil at D&AD.In 2011, EDF Energy was in a tough place. Der Mediaetat liegt bei Starcom . His support on selling big ideas like my Working at 4Creative as a Senior Creative from 2006 to 2007 was possibly the best experience I’ve ever had. The year this ad went out it received the most complaints any government ad has ever received (202) and it was the most complained about ad that year, all of which were thrown out by the ASA incidentally. View Gary Brazier’s profile on LinkedIn, the world's largest professional community. Is it really THAT good though?If there is one thing this pandemic has accelerated, it is the rate at which businesses have realised they are in deep pits of dung. Zingy not only proven popular with adult consumers (In June 2014, 80% of consumers recognised Zingy and 40% associated it with EDF), he even inspired children to build Zingy replicas in Minecraft!More prosaically, when rivals were still losing business, Zingy and Feel Better Energy have helped EDF grow its market share and its once-declining customer base, by 13% at the same time achieve strong profitability. The campaign was a resounding success and everyone in the UK knew that films on Film4 were now totally free.Zingy—the brand character I created and star of EDF's revitalisation strategy—, here pictured in a print ad. This theme of interdependency will be a cornerstone of #TeamOfUs – now, and in the years to come.The star of EDF's revitalisation strategy was the brand character I created called Zingy. Creativepool® and Creative pool® are both the trademarks of Creativepool Ltd. All member work copyright of respective owners, otherwise © Creativepool Ltd I worked there for nearly 2 years and had the opportunity to directly work alongside the client—which made for much better work.
Agency: TBWA\Media Arts Lab, Los Angeles, Usa Chief Creative Officer: Lee Clow Executive Creative Directors: Duncan Milner & Eric Grunbaum Creative Director: Scott Trattner Art Directors: Demian Oliveira & Jamie Reilly DoP: John Barr Agency Producer They have Vodafone and An Post (Irelands version of Royal Mail) as well as many more interesting clients. We will assume that, by using the website, you agree to this. They needed an ad to promote where people could access all this great-unheard music. They've found this killer insight, that all clothes in ads are spotlessly clean, and turned it into a media first; one brand owning ALL the Superbowl ads. Conservatively I’d say they total around £515 Million. Zingy was successful in creating an emotional bond between EDF and its consumers, and proved to be extremely popular not only with adult consumers, but with children, too.Most of the campaign materials were shot on location at this summer’s historic South African tour.
Paul Brazier contacted me directly because of the previous work I did at 4Creative. But Easter tends to mark an uplift in sales within the beer category, so we wanted to keep Carlsberg front of everyone’s minds over this period. He took me for a boozy lunch at Teatro and while sitting next to Martine McCutcheon he decided that he’d offer me a job.
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